Cover Me With Paint
Rejected pitch for Sherwin Williams. Assumed it would sell a lot of paint…
Rejected pitch for Sherwin Williams. Assumed it would sell a lot of paint…
Another demo of a rather serious song we were working on at the time.
On a bit of a whim, Lee Armstrong and I ended up making a hip hop album in 2002. I had been playing around with making some beats in Reason, but didn’t have much of a direction. We decided to use the equipment and beats that were sitting around to some good use. We recorded…
Didn’t dive too deep; came up jaunty. It wasn’t easy to fit “inevitable” in like that but if Dylan can do it, so could I.
This song developed as it went, and gathered meaning in its abstract nature like a snowball rolling downhill. At an epic length of almost six minutes it was our longest track, it kept growing organically until some kind of bizarre feedback-drenched guitar solo came out the other end.
Very insistent that we would see each other again. No room for debate or discussion there. Wasn’t in the mood to write a ton of lyrics, it is a song of economy.